Hey laaaaady! Looking at Lewis’ legacy

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Hey, laaaaady!

Just that single line uttered by one of the most iconic comedians in American film history is enough to put me in a good five-minute giggle fit.Maybe I’m just old fashioned — it certainly wouldn’t be a new charge against me — but the mental image of the very daffy Jerry Lewis will always put a smile on my face, no matter how “mad at the world” I might be.

At home, we have all of the available Jerry Lewis films added to our Netflix instant queue. Being the ol’ Navy guy, my particular favorite is “Don’t Give Up the Ship!” But I’ve gotten a lot of laughs out of his first independent film, “The Bellboy,” a perpetual source of happiness I’ve shared with my family.

Several of his films have been “rebooted” — the new-age Hollywood term when a studio is so fresh out of creative ideas, they decide to steal a good one (or not) from the past and repackage it — but no one, not even the likes of Eddie Murphy and Adam Sandler, can capture the comedy gold that Jerry Lewis just seemed to always exude.

He was a master filmmaker, as well, which is probably one of the least-known facts about him. He also developed the video-assist production process nearly every Hollywood director depends upon to finish projects on-time and on-budget.

Jerry also taught film classes in his heyday as the University of Southern California. Among his many students was one Steven Spielberg and George Lucas — another useless fact that perhaps very few people outside of the moviemaking industry knew about the man.

He also taught “Star Wars” originator George Lucas (who reportedly didn’t like him as a teacher very much), Robert Zemeckis and Randall Kleiser, director of “Grease.”

And so there’s a very serious side to Jerry Lewis that I don’t think a lot of people got to see outside of the once-a-year appearances on the Muscular Distrophy Association telethon. Those who have seen “Funny Bones” probably know what I’m talking about.

I know that can’t be a lot of you because the film grossed less than $600,000 in 1995. But the film is a highly under-rated gem that I would encourage any Jerry Lewis film to see.

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